Wednesday, March 27, 2019

Takeaways from Unplanned movie

One of the first sentiments I had after viewing the film Unplanned was the same as my opening remarks last October about the film Gosnell: the scariest moment perhaps "is when one realizes how protected the abortion industry is."

Let's review that and several other takeaways from the film. I will keep spoilers at a minimum.

Still from the movie Unplanned (2019). Obtained from unplannedfilm.com.

AN IMPORTANT FILM
Unplanned is an important insider look at the machinations of Planned Parenthood and the abortion industry on which it thrives. The film is based on the actual life of Abby Johnson, whose name is very familiar to Catholics and the pro-life industry. Her perspective as an acclaimed and former director of Planned Parenthood has inspired many. The film's epilogue notes how Johnson's organization And Then There Were None has provided resources for and helped lead over 500 workers to discover the truth about Planned Parenthood and subsequently abandon it.

Planned Parenthood's business model is evident in the film. Abortions collect the largest margin of any product or "service" they offer. That means the difference in the amount an abortion costs them versus what they charge typically vulnerable women and girls is a larger dollar amount than anything else they offer. The description of this business model in the film is evidenced by the facts.

The film draws attention to Planned Parenthood publicly claiming they desire abortion to be "rare." Yet, as Abby Johnson and others have revealed, Planned Parenthood issues awards for increasing abortion productivity. This is hardly the organization's only lie.

Although the film does not delve into it, Planned Parenthood's long list of lies includes denial that they cover up child sex abuse, and denial that they sell baby body parts and have altered abortion procedures in order to procure specific parts.

The film does involve more than one bloody scene, including a dramatic abortion. The film received an R rating, which seems excessive, considering bloodier films without pro-life messages are given lesser ratings. However, the film's co-director Chuck Konzelman pointed out the irony of this rating, because "abortion is an act of extreme violence."

THE SEDUCTION OF PLANNED PARENTHOOD'S EUPHEMISMS
Another feature in the film worth mentioning are the several euphemisms and terms of snakery Planned Parenthood uses to disguise the truth.
  • "Planned Parenthood" - The very name of the organization itself belies the fact that abortion clients are already mothers. Its main product, abortion, and its other products like contraception, are designed to eliminate parenting. As some have noted, "unparenthood" more accurately describes their intentions.
  • "Anti-Choice" - As is often the case, including with a complicit media, the term "anti-choice" is used to describe pro-lifers who recognize the enwombed as a life. As Father Corapi often used to ask of the abortion industry's use of the word "choice": "Choose what?"
  • "Tissue" - The baby is referenced only as "tissue" that is not a baby "yet." In the film, we hear this used to convince a teen about the acceptability of having an abortion.
  • "Products of Conception" - A lesser known euphemism is the official term used by Planned Parenthood to refer to the remains of the aborted baby: "Products of Conception." In the P.O.C. room, pieces of the baby are "reassembled" and accounted for, so they can determine that they got the entire baby. As I said, the film is disturbing, but the information it reveals in this mass media format is important in combating the lies about the enwombed. Ancient Egypt wasn't the only sinful nation plagued with rivers of blood. 
  • "Reproductive Health" - Another phrase heard in the film and with frequency in media and from politicians is the term "reproductive health" to refer to the dismemberment or pulverizing of an enwombed baby. The reality is, a baby that would otherwise continue to live and grow, is terminated—the very antithesis of "health" and a diabolical lie.
  • "Her body" - Although the abortion industry has tried to sell the idea that abortion is ultimately about "her body," the nascent baby in the womb—left out of the abortion propagandist's equation—has his/her own unique DNA, distinct from the mother. Empirically and factually, the baby is not the mother's "body."
SIN IS BLINDING
For eight years Abby Johnson worked up close and personal with the abortion of some 22,000 babies.  She was also not stuck at Planned Parenthood against her will and had family that consistently encouraged her to leave. But all those euphemisms and all Planned Parenthood's talk about health for vulnerable women serves as a veil, a means by which to deflect the public's attention, to avoid asking the actual question—is the enwombed a life?

Still, we have seen in modern days those who admit that from the moment of conception, the enwombed is by all reasonable measure a human life. Their justification for abortion comes in the the illogical idea that the baby's value is dependent on the mother's desire. If a mother considers herself "not ready" to raise a child or doesn't want to be connected to the father anymore (as was described in the movie about Johnson), the baby's very life loses value. This is to treat a baby the same as any other commodity, where market demand determines value. In this case, the mother is the market. This relativistic and perverse mentality deprives human life of objective worth.

Johnson has spoken at length about the blindness of sin she incurred. One takeaway for our own lives is to be on guard for what ways we might be deluding ourselves, falling for some seductive sales pitch on a particular sin.

One of the sins to which Johnson was blinded in her youth was her having obtained two abortions herself. She suffered terribly from the second, yet still pursued a career fostering abortions. The film especially brings to light the lie especially underlying her second abortion. She had filed for divorce and discovered she was pregnant. She didn't want to be "connected" to that man anymore and the termination of the baby was a "fix" for that problem. Of course, she merely sacrificed her baby for that separation and took on a different cross, knowing she offered no fight for her own child's life and paid someone to end it. This is not an uncommon story. It underscores the importance of treating the conjugal act with the utmost sacredness, and should discourage anyone from engaging in casual sex, and certainly not commit to someone of questionable character which is more difficult to avoid when engaging in sex with that person. But modern phenomena like abortion and contraception imply that one needn't be as careful or choosy with a partner. It's another dimension of abortion's lies.

SOROS, GATES, AND BUFFET
The film mentions the type of powers that fund Planned Parenthood, explicitly naming George Soros, Bill Gates, and Warren Buffet. The support from these multi-billionaires for an organization consistently caught lying and disguising its depraved work goes a long way in explaining its continued existence.

Soros and Gates have given over a combined $32 million to Planned Parenthood in recent years, dwarfed only by Buffet, who issued the abortion provider a deluge of over $230 million. (see LifeSiteNews.) Incoming donations such as these as well as Planned Parenthood's outbound political donations are reasons why many have questioned their reception of taxpayer funds and non-profit status. Their legal intimidation, also shown in the film, are important facts to know when understanding the entity that is Planned Parenthood. With such a concentration of influence from just a few donors, one rightfully must question how much of the organization's survival is due to ideology and paid propaganda. This is especially a fair question when one considers the euphemisms, that Planned Parenthood uses language to describe what they do other than language that actually describes what they do.

Despite such colossal funding, Planned Parenthood still vies for public funds. Politicians who support them are not apt to reveal the flow of income they already enjoy from other sources. They typically hide behind miswordings like "health" to market things like abortion and contraception that are properly defined as non-medicine or poisons.

Such political and corporate funding could also explain why Planned Parenthood has been caught multiple times in outright lies yet fail to incur any consequence of significance. We are witnessing the undeniably naked emperor and are told to look the other way and deny it.

CATHOLIC ANGLE
The film seems to avoid Johnson's eventual conversion to Catholicism. It only mentions an earlier stage of her spiritual development when she attended a generally Christian service. There are shots of pro-lifers praying the rosary at times, but nothing overtly Catholic, even though that appears to be central in where Johnson is today. This might make the film more widely appealing to non-Catholics to support the pro-life movement, but it's worth noting that the whole story has a definite Catholic component.

Part of what I remember hearing about Johnson's exodus from Planned Parenthood was that one of the items she took with her when she left was a bowl full of Miraculous Medals left by pro-lifers. She had collected them over time. I think I might have seen a bowl on her desk late in the film that contained them, but it was hard to tell if that was an "Easter Egg" or just another prop. Perhaps a commenter can shed light. But, undoubtedly, Our Lady of the Miraculous Medal lent her immaculate gaze to that day when Abby Johnson finally stood for innocent life in the womb.

TAKEAWAYS FROM UNPLANNED: BEHIND THE SCENES (added 3/29/2019)
Unplanned: Behind the Scenes is viewable over at Formed.org. There are a number of fascinating tidbits from this video and the phenomena behind the movie. But I'd like to focus on these three additional takeaways from this mini-film.

  • Providence. Lead actress Ashley Bratcher (whom was warned not to take the role because she would never find work again) discovered that her mother had almost aborted her after already having been post-abortive. Not only was abortion considered, but her mother was literally seconds away from permitting the deed against Ashley, having gone all the way to a "clinic," and was in the room for an abortion before she walked out. This story adds a providential mystique to the film and what it represents.
  • Opposition. Shawn Carney of 40 Days for Life made a prophetic statement which will undoubtedly come true. There will be critics of the film who will avoid confronting the truth it exposes by seeking refuge in more euphemisms, claiming the film is the "anti-Planned Parenthood movie, the anti-abortion movie, the anti-woman movie, the anti-fill-in-the-blank..."
  • Revelation. Writer/Director Cary Solomon told an interesting story about how his father had seen the movie and experienced a conversion on the matter of abortion. He quoted his father as saying, "You've shown us what we didn't want to see." The statement superbly summates the theme of the film, from the power Planned Parenthood wields, to the truth about abortion itself.




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