Showing posts with label Photos. Show all posts
Showing posts with label Photos. Show all posts

Wednesday, July 29, 2020

7 historic images with Catholic back stories IV

Following is the 4th installment of images with Catholic back stories. (See volume 1, volume 2, and volume 3.)

1. JOHNSTOWN FLOOD (1889) 

Sisters of Charity stereoscopic image in aftermath of Johnstown Flood.
Public domain image by George Barker.

 On May 31, 1889, the South Fork Dam failed in what resulted in the Johnstown Flood of 1889. The dam released 14.55 million cubic meters of water onto the town, resulting in over 2,200 deaths, and $17 million in damages (nearly half a billion modern dollars). Later that year, George Titus Ferris published The Complete History of the Johnstown and Conemaugh Valley Flood, in which he described various groups of people who responded to help with recovery. Among them, he cited the critical work of the nuns and priests: 
The Sisters of Mercy were also active in the good work in the ruined city, though the majority of the Catholic women and children had been removed to Pittsburgh, and were being cared for there. There were about thirty Catholic priests and nuns at work, the sisters devoting themselves to the care of the sick and injured in the hospitals, while the priests did anything and everything, and made themselves generally useful. Bishop Phelan, who reached Johnstown on Sunday evening after the flood, returned to Pittsburgh the next day. He organized the Catholic forces in that neighborhood, and all devoted themselves to hard work assiduously. What the hospitals would have done at first without the sisters is a difficult question. There were nine charity, seven Franciscan, and seven Benedictine sisters. Among the priests were: Rev. Fathers Guido, Goebel, Cosgrave, Gallagher, Trotwein, Rosensteet, Doren, Corcoran, Derlin, Boyle, Smith, O’Connell, and Lamb. 
Famous 19th century landscape photographer George Barker captured much of the Johnstown Flood. Among his techniques was the stereoscopic pair, a method of creating three-dimensional photographs by aligning two photos side by side, taken a few inches apart. When observed either cross-eyed, or looking “through” the pair, the image takes on three dimensions. Pictured above is Barker’s stereoscopic photo of the the Sisters of Charity house after the Johnstown Flood. 

2. POPE PIUS IX RAILROAD CARS (1859)

Altobelli & Molins (Italian, active until 1865), [Pope Pius IX's Private Train at Velletri], 1863, Albumen silver print, 26.4 × 35.2 cm (10 3/8 × 13 7/8 in.), 84.XP.373.2, The J. Paul Getty Museum, Los Angeles 

In 1859, Pope Pius IX was gifted three railroad cars for use in traveling to the papal states. The cars served different purposes that contained a chapel, meeting area, and even an open car from which the public could be addressed. The first trip was from Porta Maggiore to Albano, near Castel Gandolfo. The life of the papal railcars was short-lived, however, as Italy ended the authority of the papal states in 1870. The cars were not seen again until 1911 during a unification anniversary. 

Watch Rome Report’s 2-minute documentary on Pius IX’s train and see more images at Centrale Montemartini

3. MONKS, CAR, AND ST. BERNARD (1905)

Monks and workers pose with their first car and a St. Bernard at the Great St. Bernard Hospice in Switzerland. Photo by Dufour & Tissot S.A., Nyon.

To help weary travelers in the Swiss Alps, St. Bernard de Menthon founded a hospice and monastery in the late tenth century. St. Bernard is perhaps most well-known for the dogs that bear his namesake. For the monks availed the use of dogs in finding and helping weary travelers in the frigid Alps. The Catholic Encyclopedia states: 
Since the most ancient times there was a path across the Pennine Alps leading from the valley of Aosta to the Swiss canton of Valais, over what is now the pass of the Great St. Bernard. This pass is covered with perpetual snow from seven to eight feet deep, and drifts sometimes accumulate to the height of forty feet. Though the pass was extremely dangerous, especially in the springtime on account of avalanches, yet it was often used by French and German pilgrims on their way to Rome. For the convenience and protection of travelers St. Bernard founded a monastery and hospice at the highest point of the pass, 8,000 feet above sea-level, in the year 962. A few years later he established another hospice on the Little St. Bernard, a mountain of the Graian Alps, 7,076 feet above sea-level. Both were placed in charge of Augustinian monks after pontifical approval had been obtained by him during a visit to Rome. … At all seasons of the year, but especially during heavy snow-storms, the heroic monks accompanied by their well-trained dogs, go out in search of victims who may have succumbed to the severity of the weather. 
"The St. Bernards were never just a symbol," said Father Hilaire, a hospice monk, in 2006. "Before the 1900s, there were no skis, so the dogs made paths even if there were one or two meters of fresh snow. They helped us save lives." 

Pictured above is one of the dogs along with the monks and workers aboard the first motor vehicle owned by the hospice. The Wikimedia photo caption reads in part: 
This is the first motor vehicle owned by the Augustinian fathers of the Great St Bernard Hospice, Valais, Switzerland, identified as a 1904 Dufour...built in very limited numbers by Dufour &Tissot, engine makers, of Nyon, Vaud, Switzerland. This picture was taken 11 September, 1905 in Martigny, Valais, prior of what became the first climb of a motor vehicle to the summit of the Great St Bernard pass. The journey took about two hours. 
In today's rescue efforts, the monks also use helicopters.

4. FLYING AIRSHIP (1670) 

Francesco Lana de Terzi's design of a "flying ship" from 1670. Public domain image

In what could be called a forerunner of steampunk design is this sketch of a “flying ship” from 1670. Although this isn’t a “photograph” per se, the image is a famous one in aeronautics, which also happens to have a Catholic backstory. The sketch is by Italian Jesuit priest Francesco Lana de Terzi, who published the image in his book Prodromo

Lana speculated that such a design could create a lighter-than-air balloon, thus able to levitate a ship. His theory was inspired by the experiments of Otto von Guericke known as Magdeburg hemispheres—two hemispheres pressed together and evacuated of air. Although the materials he suggested would collapse under pressure, some speculate the vehicle could have worked with graphene or other materials

A model of Lana’s invention can be seen at the Smithsonian National Air and Space Museum in Washington, D.C. Incidentally, in his same book, Prodromo, Lana also proposed the invention of a raised alphabet for blind readers that was a distant forerunner of Braille (who is also covered later in this article). 

Of note here is how frequently historic scientific advancements or theories involve a Catholic and often clergy. This is an unspoken reality among those who have accepted the false narrative that Church and science are at historic odds. 

5. FORTY MARTYRS OF BRAZIL (2000/1570)

Underwater memorial for the Forty Martyrs of Brazil near the island La Palma. Public domain image.

They are known as the Forty Martyrs of Brazil La Palma. Ignacio de Acevedo was rector of the Jesuit college of Lisbon and at Broja. St. Francis Borgia appointed him as a leader in missions to Brazil, where Ignacio worked for three years. Many years later, he asked to return to Brazil, but in July, 15-16, 1570, he, along with thirty-nine Portuguese and Castilian companions were martyred by Huguenot pirates near the island of Palma. The Huguenots were French Protestants following the tradition of John Calvin. 

The voyage led by Ignacio was reportedly the “largest number of Jesuits leaving Lisbon for overseas missions and the most numerous collective martyrdom in all of the Modern Period.” A great number of galleries of Jesuit martyrs consist in depicting these Forty Martyrs of Brazil. Ignacio is said to have had in his hands when martyred the image of the Madonna di San Luca. Pictured here are memorial crosses dedicated to those Forty Martyrs whose earthly lives ended at sea. Installed in 2000, the memorial is located about twenty meters deep by the island of La Palma. 

For a lengthy account of the 40 martyrs, see 2010 article in the publication Cultura.

6. FIRST BRAILLE TYPEWRITER (1892)

The Hall Braillewriter invented in 1892 utilized Catholic Louis Braille's alphabet for the blind. Source: History of Blindness in Iowa.

Pictured here is the first Braille typewriter, the Hall Braillewriter. The invention builds upon another invention by Louis Braille, a French Catholic. 

Blinded since age five, a twelve-year-old Braille attended a lecture by a military captain, Charles Barbier—who was himself once a classmate of Napoleon. Barbier had created multiple communication systems including a complex raised-letter system for reading in the dark. It was this latter invention that inspired the young Braille to develop his simpler reading system for the blind.

A priest, Father Jacques Palluy recognized great aptitude in the young blind boy and took to teaching the youth himself and entrusting his schooling to a new schoolmaster. So skilled was Braille despite his blindness, that he served as the organist at the Church of Saint-Nicolas-des-Champs and at the Church of Saint-Vincent-de-Paul. Between the ages of 15 and 19, Braille had developed his system of writing for the blind. He published his Braille system in 1829. 

7. FIRST SELF-PORTRAIT (ca 1450)
Catholic artist Jean Fouquet's pioneering self-portrait miniature. Public domain image.

The Louvre
describes this enamel-painted copper medallion as "the first self-portrait by a painter which was not composed as part of a scene." Wikipedia calls the work "the earliest sole self-portrait surviving in Western art" (There is some debate whether an earlier work by Jan van Eyck is actually a self-portrait.) A separate Wikipedia article describes the medallion as "the oldest self-signed self-portrait."


In any case, it is a work of pioneership in the arenas of self-portraits and art miniatures. The artist, Jean Fouquet, was also a Catholic. The Catholic Encyclopedia calls the 6cm medallion Fouquet's "best portrait."

The technique of portrait miniatures arose in the 15th century from artists, such as Fouquet, whom were skilled in book illustrations and manuscript painting. He is said to be the first French artist to have traveled to Italy. During his time there, he also painted a famous portrait of Pope Eugene IV, which now survives only in reproductions.

Thursday, July 9, 2020

The importance of epic church art & architecture

St. John Cantius, Chicago (photo by author)
Origins
The early ecumenical council at Nicea explicitly condemned those opposed to venerating sacred iconography:
All those childish baubles and bacchic rantings, the false writings composed against the venerable icons, should be given in at the episcopal building in Constantinople, so that they can be put away along with other heretical books.
Second Council of Nicea, Canon 9, 787 A.D.
And the council exhorted that holy images be exposed in the churches in keeping with tradition:
We defend, free from any innovations, all the written and unwritten ecclesiastical traditions that have been entrusted to us. One of these is the production of representational art; this is quite in harmony with the history of the spread of the gospel, as it provides confirmation that the becoming man of the Word of God was real and not just imaginary, and as it brings us a similar benefit. For, things that mutually illustrate one another undoubtedly possess one another’s message. Given this state of affairs and stepping out as though on the royal highway, following as we are: the God-spoken teaching of our holy fathers and the tradition of the catholic church — for we recognize that this tradition comes from the holy Spirit who dwells in her– we decree with full precision and care that, like the figure of the honoured and life-giving cross, the revered and holy images, whether painted or made of mosaic or of other suitable material, are to be exposed in the holy churches of God, on sacred instruments and vestments, on walls and panels, in houses and by public ways, these are the images of our Lord, God and saviour, Jesus Christ, and of our Lady without blemish, the holy God-bearer, and of the revered angels and of any of the saintly holy men.
You see how the writings of those opposed to icons were filed under heresy. From the earliest centuries, "tradition" included visual depictions of the gospels and the saints as vital to the spread of the gospel and ecclesial sanctuaries. The art serves the faithful.

A beautiful environment for divine reality is prefigured in the Old Testament. When God instructed Moses to build the ark in Exodus 25, He mandated use of gold, precious gems, and statues of cherubim. The ark was the dwelling place of God. The beautiful imagery corresponded to the divine invisible reality. 

The importance of holy images in churches remains in order unto today:
[I]n sacred buildings images of the Lord, of the Blessed Virgin Mary, and of the Saints, in accordance with most ancient tradition of the Church, should be displayed for veneration by the faithful and should be so arranged so as to lead the faithful toward the mysteries of faith celebrated there. (General Instruction of the Roman Missal, #318)
Pope Benedict XVI explained the necessity of "beauty" in conjunction with the Eucharistic celebration:
Everything related to the Eucharist should be marked by beauty. Special respect and care must also be given to the vestments, the furnishings and the sacred vessels, so that by their harmonious and orderly arrangement they will foster awe for the mystery of God, manifest the unity of the faith and strengthen devotion.Pope Benedict XVI, Sacramentum Caritatis, #41, 2007
Duomo di Milano (Milan Cathedral) ca 1870s (public domain photo by Giacomo Brogi)
In the 1947 encyclical Mediator Dei, Pope Pius XII explained how sacred images should tend "neither to extreme realism nor to excessive 'symbolism.'" It's easy to understand excessive symbolism, for an overly abstract or vague image detaches from sacred tradition and wouldn't contribute to catechesis if the viewer can't tell what it is. Extreme realism is, perhaps, trickier to understand why it should be avoided. However, consider a statue of St. Peter holding the keys and pontificating with his finger to the sky and a halo over his head. Would this depiction be "realistic" in that there could have existed a photograph of Peter in that exact pose holding a giant key? No, however, the key and halo and pose are representative symbols that reveal truths about the saint. If one considers a photograph and sacred art in this way, the art is the more "real" of the two. 

This brings us to a final consideration.


Old St. Mary's Church, Cincinnati (photo by author)
Christ Uses Visual to Depict Mystery
This notion of fostering awe for the mystery of God calls to mind a particular Scriptural passage combining the visibly glorious with an invisible mystery. The passage is the healing of the paralytic. The crowd doubted Christ's ability to forgive sins. Christ replied:
"Which is easier, to say to the paralytic, 'Your sins are forgiven,' or to say, 'Rise, take up your pallet and walk'? But that you may know that the Son of man has authority on earth to forgive sins" — he said to the paralytic — "I say to you, rise, take up your pallet and go home." And he rose, and immediately took up the pallet and went out before them all; so that they were all amazed and glorified God, saying, "We never saw anything like this!" (Mark 2:9-12)
Jesus used a visibly striking image to correspond to the unseen miracle of the forgiveness of sin. Christ used the visual medium to represent the unseen mystery. The healing of paralysis served as the icon of the forgiveness of the man's sin. St. John Paul II wrote to artists, "in a sense, the icon is a sacrament." The incarnate Christ is both God and man, the visible and invisible. Art that gives due regard to the incarnation principle stays true to tradition.


Ss. Peter and Paul Catholic Church, Naperville, IL (photo by author)
It's also important to recognize the manner of physical representation Christ chose to model a sacred reality. Did He perform some act of mundanity or plainness? No. The act was awe-striking. Nothing less would befit the unseen mystery. Mundane art and architecture is a contradiction against what transpires on the Eucharistic altar. 

This is why Church art, iconography and architecture must be epic, awe-inspiring, and befitting of divine mysteries. Even a small church can incorporate things like striking stained glass windows; an ornate crucifix, tabernacle, and altar; or small statues and icons to the extent possible. The goal "should be marked by beauty," as Pope Benedict said. Plain or abstract decor in a church fail to correspond to the Eucharistic mystery in the way Christ's healing of the paralytic delivered shouts of glory to God because it was so visually amazing. 

Friday, January 13, 2017

7 historic photos with Catholic back stories III

This is the third "historic photos" post here at The Catholic Voyager. See here for Historic Photos 1 and Historic Photos 2. These photos often contain obvious or lesser known details pertaining to Catholicism. Here are the next seven in no particular order.

1. Hollywood to sisterhood, 1958
Photo of Dolores Hart and Elvis Presley from public domain trailer of King Creole (1958).
Acquired from Wikimedia Commons.
In 1957, young Dolores Hart starred opposite Elvis Presley in his first film, Loving You. She was the first to kiss him on screen. From there her career blossomed. She starred in 10 feature films opposite many famous Hollywood stars. Pictured above, she is seen in the 1958 film, also opposite Elvis, in King Creole.

And then Hart answered the call to join a contemplative Benedictine monastery. In 1963, she entered the Abbey of Regina Laudis in Bethlehem, CN. Today, Mother Dolores is prioress of the abbey.

The National Catholic Register relayed Hollywood’s reaction in an interview with Mother Dolores:
They were shocked — angry. My boss, Hal Wallis, just couldn’t believe it. He sent me a message that said, "Don’t leave. Because if you do, I’ll make sure you never work again in Hollywood!" [She laughs.] But, eventually, he became a very good friend. His wife is still alive and sends us a basket of fruit every month.
On prayer, she said:
Prayer is not something you just teach a little child as a pious action. Prayer comes from the deepest heart of human beings who want their life to continue or they want the life of someone else to continue. The call for prayer is a belief and faith that their needs can be answered.
Some believe young Dolores' role as St. Clare of Assisi influenced her conviction to become a nun. Although Dolores grants there may have been some influence there, she better recalls a moment while filming Lisa, a story of a Nazi survivor. In speaking with a real Nazi survivor, Dolores contemplated the evils of the world. In another National Catholic Register interview, she stated:
I realized that the human condition was in such terrible pain that I wondered what one person could do. What can one woman do to face that kind of evil? The only thing that came to me was: The consecration of a woman was the only way to fight that. You have to believe that giving your body into that kind of prayer has a meaning.
See further reading at the Abbey of Regina Laudis.

2. Cologne crane, 1868
The Cologne Cathedral crane.
Photo by Theodor Creifields, 1868. Acquired from Wikimedia Commons.
The Cologne Cathedral crane pictured here was a centuries-old mechanical marvel. The cathedral, whose construction began in 1248, took over seven centuries to build! (I'm betting any original Contract Surety Bonds on that construction project defaulted). The crane was thus once a fixture in the Cologne skyline, it’s 13 meter jib serving as a familiar arm in the sky for centuries. The date of origin of the crane is unclear, but it appears in paintings as early as 1450. The official website of the Cologne Cathedral posits a date of origin for the crane around 1350. But many of those centuries were without activity.

In either the 15th or 16th century, lack of funds prevented further construction until 1842.  The official website imagines that the crane was originally built at ground level, and slowly raised along with the construction of the tower by lifting each corner atop the tower blocks, up to 50 cm at a time, until the base reached a height of 45 meters.  Many websites and books reference this device when detailing the history of cranes. By 1880, the Cathedral was completed.

3. Soccer priest, 2008
Chase Hilgenbrinck (left) playing for the New England Revolution in 2008.
Photo acquired from Fr. Hilgenbrinck.
As a promising soccer talent in high school and at Clemson University, Chase Hilgenbrinck eventually signed in Chile where he played several seasons, including three in the Chilean top flight league.

In 2008, he was signed by the Colorado Rapids in Major League Soccer, although he was released during the pre-season. But other scouts recognized his defensive talent and he eventually signed with the New England Revolution. He ended up playing several games for the Revolution until he decided to leave the sport of soccer. Why? To become a priest, of course! Our story here resembles Dolores Hart's, told above, of someone leaving public fame for religious life.

After announcing his decision to leave the Revolution and enter the seminary, Hilgenbrinck said:
"I wouldn't leave the game for just any other job. I'm moving on for the Lord. I want to do the will of the Lord, I want to do what he wants for me, not what I want to do for myself." (CatholiCity)
Even then, he already incorporated soccer technique into his new vocation:
"When you play soccer you have to continue getting better every day. It's the same with faith. You have to improve every single day, search for opportunities to deepen your relationship with Christ."
Hilgenbrinck was ordained in 2014 and currently serves at St. John’s Catholic Newman Center in Champaign, Illinois.

In May 2016, Fr. Chase returned to the city of Chillán where he played “on first division teams for three years.” (Catholic News Agency) This time, he returned not as a soccer player, but as a priest, to celebrate the Eucharist with over 600 faithful in the community that knew him.

Further reading at Wikipedia: Chase Hilgenbrinck.

4. Tomb of a priest, 2016
Presumed tomb of Don Miguel de Palomares (d. 1542) in Mexico City.
Photo: Mauricio Marat, INAH. Used with permission.
In April 2016, construction crews sought to install new lamp posts to illuminate the Mexico City Metropolitan Cathedral. In digging one of the holes, the crew struck a historic slab of stone.

Pictured above is the stone, now featuring the hole made by the construction crew. As it turns out, the slab is inscribed with the name Miguel de Palomares, a Catholic priest. The slab is apparently the cover of his tomb. 

Miguel was one of the first Catholic priests to evangelize Mexico. He arrived in Mexico from Spain in 1524 “to work with Juan de Zumarraga, the Franciscan prelate and the first Bishop of Mexico.”   He died in 1542.

Miguel’s tomb is set in a foundation of what was once an Aztec temple. The Aztecs were known for committing hundreds if not thousands of gruesome human sacrifices per year

The question was raised in media as to why the Church would not have destroyed the Aztec temple. However, the question may not be so intriguing as simple. As explained by Raul Barrera, an archaeologist for the Mexican National Institute of Anthropology and History: “The Spaniards, Hernan Cortes and his followers, made use of the pre-Hispanic structures, the temples, the foundations, the floors.”  The foundation was already firm and saved on excessive construction materials and would have been adequate for a foundation for a cathedral.

5. Easter Island Moai, 2011
A row of Moai at the Easter Island sacred site Ahu Akivi (2011).
Photo by Arian Zwegers. Acquired from Wikimedia Commons.
Easter Island, natively known as Rapa Nui, is home to many mysterious statues and mythology from ancient history. The most famous icons of this historic place are the great “Moai,” giant monument busts. Pictured here is a row of Moai at the sacred site Ahu Akivi, and the apparent location on the cover of Father Sebastian Englert’s 1970 book, Island at the Center of the World

Easter Island is one of the most remote inhabited lands on the entire planet, about 1,200 miles away from the nearest inhabited Pitcairn Islands and 2,000 miles away from the nearest mainland in Chile.

Father Englert was a Capuchin Franciscan friar stationed at Easter Island for decades. The island is home to a single museum named The Father Sebastian Englert Anthropological Museum. The museum website describes the priest having "lived at Rapa Nui for more than 30 years, extensively documenting the island's legends, language and culture in general."

Father Englert is suspected to have been the only non-native during his time on the island to have mastered the language. Following is an excerpt from Father William Mulloy’s biography of the late Father Englert:
In 1935 he volunteered to serve on Easter Island, and continued there until his death [1969], having contact with the outside world only through supply ships which arrived once or twice a year. He devoted every free moment to study of his island and its people. 
Fr. Mulloy described Fr. Sebastian as a student of Easter Island's "linguistics, ethnology and archaeology. Fr. Sebastian was unique in that "no other investigator of the island [had] ever been able remotely to approach the rapport which he had obtained with the islanders." He was also involved in the restoration of the island's monuments, which "began to be fulfilled in 1960."

6. LBJ oath of office, 1963
Lyndon B. Johnson, standing between Lady Bird Johnson and Jacqueline Kennedy,
takes the oath of office aboard Air Force One on Nov. 22, 1963.
Public domain photo acquired from jfklibrary.org
November 22, 1963 forever remains a day of infamy in the history of the United States. At around 12:30 local time, President John F. Kennedy was shot and killed by a sniper in Dallas as he rode along side his wife, Jacqueline. This seismic event in the history of the U.S. remains today the subject of fascination, conspiracy theories, and mysteries. One such mystery involves the Catholic missal on which Lyndon B. Johnson was sworn in approximately 2 hours later.

Following the President’s death and ensuing chaotic events, a group of federal staff found themselves aboard Air Force One, prepared to fly back to Washington, along with the deceased. Mrs. Kennedy, keeping near the casket, accompanied the group. Johnson had requested that a Judge Sarah T. Hughes administer the oath. 

The events surrounding the Catholic missal begin around 2:34 p.m.  A timeline appearing in Esquire recounts the moment as follows:
2:34 p.m.Marie Fehmer palms the typewritten oath to Judge Hughes. But they still need a Bible. Larry O'Brien, excusing himself to Jackie, finds a Catholic missal in the bedroom's nightstand drawer. It is in a small box, still wrapped in cellophane. It is possibly a gift, something that somebody, somewhere, had thrust into Kennedy's hands, perhaps even on this last trip to Texas. Now O'Brien tears open the box and hands the book to Judge Hughes.
A recorded phone call (MP3) between U.S. Supreme Court Associate Justice Abe Fortas and Judge Hughes reveals Fortas stating: 
“[Larry O’Brien] handed you something that he thought was a Bible that a steward had handed him, which had been in the President’s quarters.”  
How Kennedy acquired the missal remains unknown. Some articles posit that someone, perhaps even a civilian, had simply handed it to President Kennedy at some point.

Then came the administration of the oath. A 1967 article in the Washington Post reported:
“Mr. Johnson and Federal Judge Sarah Hughes, who administered the 36-word oath, both believed that the small, leather-bound book was a Bible. … [O’Brien] entered the room. He handed the missal to Judge Hughes, who looked at it briefly and took the book to be a Douay (Roman Catholic) Bible.” (Washington Post, Feb. 26, 1967, PDF)
And, so, at 2:38 p.m., President Lyndon B. Johnson was sworn in as 36th president of the United States. Everything about the scene felt providential. Mrs. Kennedy stood by his side, wearing clothes still stained with her husband’s blood. Kennedy’s body was elsewhere in the jet. Judge Hughes to this day remains the only woman to administer the oath of office. And Johnson, a Protestant, took the oath wth his hand atop a Catholic missal.

Why the missal was perceived as a Bible may have come from the cover. According to Justice Fortas in another recorded call (MP3):
"[T]he missal was bound in “black leather cover…with a cross on it. I would assume looking at it, it was a Bible. I’m sure the President (Johnson) knew nothing about it.”
Fortas later revealed that the book was a “St. Joseph Sunday missal.” A photo of the missal can be seen here at the LBJ Library & Museum.

The immediate fate of the missal following the oath is also unclear. In the same phone call, Justice Fortas stated, “somebody, probably a secret service man” handed the missal to Lady Bird Johnson, who placed it in her bag and returned it to the White House archives. Mrs. Johnson, who was also on the call, claimed she did not remember the sequence of events. 

The Esquire account describes the immediate fate of the missal thusly:
2:41 p.m.There will soon be stories that have Judge Hughes taking the Catholic missal with her and in her shock handing it to a mysterious man, never to be seen again. In fact, the missal ends up in Lady Bird's purse. She will show it secretively to Liz Carpenter, and they will worry for a moment that it's a Catholic book, one more of the day's accidental crossings. Today, the missal is at the LBJ Library in Austin. It looks as new as it did the day it was made, its soft black leather cover embossed with a cross.
Two other mysterious aspects surround the missal. First, details of the missal’s fate were apparently never revealed to William Manchester, who was then writing The Death of a President. In his book, published in 1967, Manchester stated that the missal was missing. The other matter concerned ownership of the missal. As the phone calls reveal, the inside of the book’s leather binding are embossed with “JFK.” The calls touch on whether or not the White House legally had the right to retain the missal or if it should be returned to the Kennedy family. The LBJ Library (also the location of 9 recorded phone calls regarding the missal) clears up these two issues as follows:
Although Manchester says in his book, published in 1967, that the book used for the swearing-in ceremony was missing, it is clear now that the White House had the missal but did not disclose this at the time.  In 1979, when Merle Miller was doing research at the Library for his book on LBJ, Miller asked Library staff for information on the book used to swear in the President.  At that time Harry Middleton, Director of the LBJ Library, disclosed that the Library had the book and that it was a Catholic missal.  The question of legal title arose at that time since the book had actually belonged to President Kennedy.  Middleton notified John Stewart, Assistant Director of the Kennedy Library, and offered to send the item to the Kennedy Library.  On April 2, 1979, Dan Fenn, the Director of the Kennedy Library, responded and stated that it was his opinion that the missal should remain in the Johnson Library.  Dan Reed, the head of Presidential Libraries at the time, concurred.  The LBJ Library considers legal title to the item to have transferred with this letter.
7. The John McNulty case, 1894
Sketch of John McNulty from Jan. 26, 1894 issue of the San Francisco Call newspaper.
Saturday, March 24, 1888. San Francisco. John McNulty, a longshoreman, was once employed by a George Haskell, who is said to have teased and bulldozed McNulty frequenty. McNulty had left his employment to work for Haskell’s son. McNulty’s departure was considered personal to Haskell Sr. and his workmen. Quarrels had escalated, and the matter was to be settled in a fistfight between McNulty and one of Haskell’s men, James Collins, at the nearby wharf. The encounter occurred that Saturday afternoon.

According to McNulty, Collins showed up at the wharf with friends who proceeded to “beat him with a wagon-wheel spoke till he bled from the lungs.” Later that evening, McNulty purchased a "revolver to protect himself."

Sunday, March 25, 1888. The next day, McNulty claims to have seen Collins and friend Mike Halpin (or Halpen) walking down the street. The three men had an encounter, apparently arguing about the fight at the wharf the day prior. McNulty was quoted as follows:
“Collins approach me in a threatening manner and put his hand to his hip-pocket. Fearing he was going to shoot me, I drew my pistol and fired it at him.” 
Collins died shortly thereafter at a nearby hospital.

Halpin’s version of the story differs. He claims McNulty was the aggressor and challenged Collins to a fight. McNulty then is said to have shot Collins after Collins refused to renew the fight. A Wednesday news report adds the testimony of Patrick Morgan, who also claims to have been with Collins when the murder occurred.  In this report, Morgan's account of the murder is similar to Halpin’s, although there is no mention of Halpin's presence.

McNulty was immediately arrested by nearby police. His pregnant wife did not learn of the arrest until after visiting hours, and she wept outside the prison, unable to enter. While behind bars, McNulty was reported to have heard hear crying and said, “Poor woman, she will soon give birth to a child that will have a man like me as a father. That’s the only thing I am sorry for.”

In July 1888, McNulty plead not guilty. The trial was even postponed because Mrs. McNulty had given birth and was considered a key witness.

When the trial began, a new report said the McNulty defense, behind attorney J.N.E. Wilson, was temporary insanity. The jury found McNulty guilty on August 6 which likely meant the death penalty. McNulty is reported to have later sparred “violently insane” with prison guards that evening following a visit from his wife.

After some appeals, Judge Murphy delivered his sentence on October 6—the death penalty. At the announcement, McNulty’s mother reportedly cried “Oh, Lord, have mercy,” while his wife cried, “My God, my God, pity me and my child.”

Subsequent appeals continued to occur for many months. In a brief segue on January 12, 1890, McNulty escaped from prison with five other inmates, having snuck past a guard and dug through a rotted wall. By January 19, he was recaptured after traveling “through the mountains.”

Appeals continued for the next years. By then, McNulty was represented by attorney Carroll Cooke. But the sentence of death continued to loom.

An August 1892 article describes Nulty’s prison situation.
The condemned man is a Catholic and he is zealously devoting most of his time in preparing for death in accordance with his faith. During the afternoon he was visited by two priests and two Sisters of Mercy. … At the upper end of the cell is a shelf. Upon this stands a crucifix flanked by two candles and a few glit-edged prayer-books.
The article also reported an interview between McNulty and a reporter. "I killed Collins in self-defense," McNulty said, echoing his defense from the day after the murder.

By 1894, the gallows had already been raised twice to hang him, only to be stored again after legal stays and appeals.

McNulty was scheduled again for execution by hanging on January 26, 1894. But our story comes to an end on January 25. McNulty sat in his cell accompanied by two Sisters of Charity, consoling him and offering prayers. At 2:15 p.m. a telegram is delivered to the prison. It is from a sheriff relaying a message from California Governor Henry Markham. The message reads:
Sacramento, Jan. 25, 1894. McDade, Sheriff, San Francisco—The Governor has commuted McNulty’s sentence to imprisonment for life. I will bring official document down to-morrow morning.
According to the news report, the entire prison population, as well as an outside crowd, received the news with joy. The prison sheriff reportedly exclaimed, “Thank God!” on hearing the news. The deputy and newsmen apparently ran to tell McNulty the news, who himself exclaimed, “Praise God!” The sisters shook his hand as well as the messengers'. (News reports regarding Mrs. McNulty were absent.)

After hearing the news, McNulty immediately sent a message to his mother reading:
Mrs. Miles McNulty, St. John, New Brunswick, care of Joseph Watson—Dear Mother: God has spared you from the disgrace that once threatened you. Yours. John McNulty.
McNulty’s first visitor the following morning was Father Jaquet of St. Ignatius Church, who encouraged the prisoner to have hope. In an interview with the San Francisco Call, Father Jaquet stated:
I have known McNulty for years, and I never believed he would be hanged. Why? Well, when I learned that his mother came here to sacrifice her last cent for him, yet refused to swear falsely for his sake, to swear that he had been subject to epileptic fits for eighteen months when he had not, I believed that for her sake his life would be spared.
Remember, during his first attorney’s term, McNulty’s plea was temporary insanity. Perhaps the mother had refused to give false testimony that McNulty suffered from seizures.

And so, our story comes to a close. It is a strange story that raises moral questions. Whether or not McNulty killed in self-defense remains unknown. Obviously the judge and jury did not buy the self-defense argument (nor his original plea of insanity with his first attorney). However, what does not seem in dispute is that Collins and some other party indeed took to beating McNulty the day before the kill. A medical report did not confirm the use of foreign objects in McNulty’s beating, as McNulty claimed, but it did reveal “discolored contusions” on McNulty’s body.

An editorial did appear shortly after Gov. Markham’s commutation, criticizing the governor’s decision, insisting murder was no fair exchange for battery. Although, as cited above, other reports claimed the community, the police staff, and religious were gladdened by the commutation. Did this indicate McNulty had shown remorse? Was McNulty only regretful for his mother and wife and child, but not the killing of Collins? That priests and nuns visited him regularly, coupled with the report that he had taken up his Catholic faith, does give evidence that he may have repented. What about Collins’ culpability? We know little of the victim’s life, other than probably leading another man’s beating, and possible involvement in bullying McNulty in the days prior to the incident at the wharf. The incident may move us to ponder our own lives and interactions with others as we strive, even if poorly, to lead worthy lives. And, as faithful, we can hope with God for the salvation of all men (1 Tim. 2:3-4).

Wednesday, December 23, 2015

7 historic photos with Catholic back stories II

This posts continues the theme of the first "historic photos post" here at The Catholic Voyager. Following are seven more historic photos with Catholic back stories.

1. Nuns on the swing, 1963

Credit: New York Daily News Archive / Contributor
In November 1963, the Catholic Committee on Scouting of North Bergen, Boy Scouts of America visited St. Joseph's Village, a home to nearly 200 dependent children in Rockleigh, New Jersey. The complex operated from 1958-1972 and was run by the Sisters of St. Joseph to give care to children without a viable home situation.

Jim Brown, webmaster and historian at the St. Joseph's Village website, recalls the boy scouts' visits:
There were two times the scouts had a clam bake there, as I remember. And I was at it one of the times. That day, they had different activities that the scouts were doing, like rope climbing and things like that. And the nuns were participating in them.
Pictured above are two of the sisters enjoying a ride on the Village's playground swing set, near the Barbara Givernaud Cottage, a residence home for the children.

Today, the Village is now a facility for a variety of human services, as summarized at the St. Joseph's Village website:
After the Village closed it doors for good in 1972, the Sisters of St. Joseph of Newark sold the property to the Bergen County Special Services on the condition that it be used to help people. After making considerable modifications, the county opened several human services programs — a 110 bed nursing home, a substance abuse rehabilitation program, a high school for autistic children, and other programs for youth with emotional and behavioral needs.

2. The Copiapó Mining Rescue, 2010

(Photo credit: CNS/Reuters/Hugo Infante-Government of Chile)

On August 5, 2010, over 2,000 feet beneath the earth's surface, the San José copper-gold mine in Copiapó, Chile suffered a cave-in. Over 700,000 tons of rock sealed the exit on 33 miners. The following days would prove taxing on the hearts of the watching world.

Mining companies throughout the globe offered their assistance. The owner of one company, Drillers Supply International, was Greg Hall, a Catholic deacon at Christ the Redeemer church in, Cypress, Texas.

In a recent interview with Aleteia, Deacon Hall recalls:
The miners were somewhere between 400 and 800 meters down. The mining equipment only goes to 400 meters. We were called in to help them get to 800. ... After day 10 I was convinced it was a recovery effort, not a rescue. There was a place in the mine called the “refuge” where trapped workers could go during an emergency, but there were only provisions there for three days.
Yet, on day 17, a drill penetrated the "refuge" chamber, and the rescue crew could hear tapping on the end of the drill. When they raised the drill, on the end was a note in Spanish reading: "We are OK in the refuge, the 33."

How did 33 men survive 17 days on 3 days rations? They ate two teaspoons of tuna, one biscuit, and a sip of milk every other day. They also had dug for water and rationed extra water from the radiators.

Now with an opening to the miners, supplies were sent for their continued survival. Yet the Chilean government's plan for rescue at this point was scheduled to last 5-6 months. Hall met with officials and convinced them to attempt what became known as Plan B.

With help from a team of specialists and high-tech equipment from around the world, the rescue team sought to widen a hole which was originally 5 inches in diameter to a hole 26 inches in diameter. Throughout the ordeal, Hall prayed and prayed. While praying the Liturgy of the Hours one morning, he recalls praying: "I’m going to do everything I can, Lord, but this is not my work, this is your work."

One hundred feet from finishing the widened tunnel, the drill stopped. "We were stuck, totally, 100 percent stuck," Hall recalls. The equipment had already defied computer modeling for that depth and that pressure to that point. The situation felt bleak. Hall prayed again, "I’ve done everything I can, Lord, this is your work.  You are going to have to send your angels." And the drill finally came to life again, finishing the 26-inch wide tunnel through which the miners would be rescued one by one via a narrow capsule. "God drilled the hole," Hall says.

Pictured above is Mario Gomez, the ninth miner rescued, pausing to pray after reaching the surface. The narrow transport capsule is in the background. The 33rd and final miner was rescued on October 13, 2010, over two months after the cave-in, and also the feast of the last apparition of Our Lady of Fatima.

The incident is now a major motion picture called The 33.


3. The Boxer Rebellion, 1900


In 1900, Chinese Christians sustained some of the worst persecution in Chinese history during "The Boxer Rebellion."

According to History.com, a number of Chinese rebelled against Christian residents and missionaries, and other Western immigrants, blaming "their poor standard of living on foreigners who were colonizing their country." Whether immigration attributed to their poverty was a matter of debate. For instance, a large percentage of Boxers came "from Shandong province, which had been struck by natural disasters such as famine and flooding."

During the rebellion, "the Boxers killed Chinese Christians and Christian missionaries and destroyed churches and railroad stations and other property." Pictured above, center, is a Roman Catholic priest identified as "Pater Schen," with two Catholic guards, preparing for a siege on their church by the rebels. In researching the back story of this photo, I was not able to ascertain the fate of these specific men. However, the Catholic Encyclopedia records a number of martyrs during the Boxer Rebellion, including the Lazarist priest, Jules Garrigues, Doré, two Marist brethren, and Father d'Addosio.

The Boxer rebellion officially ended in 1901 following the help of allied forces which included Austria-Hungary, France, Germany, Italy, Japan, Russia, the United Kingdom and the United States.


4. "Christ of the Abyss," 2009 (1965)

Photo by Stephen Weir, (stephenweir.com)

For our next photo, we go subaqua to the waters of Key Largo, Florida. Pictured above is a 2009 photo of one of the premier attractions of Key Largo––the Christ of the Abyss statue. It was installed in the underwater John Pennekamp Coral Reef State Park in 1965.

The statue is the third underwater sculpture of its kind, cast from the same mold as the original, which dates back to 1954 near Genoa, Italy. The second, installed in 1961, is off the coast of Grenada.

The Key Largo statue celebrated its 50th year this year. The man responsible for transporting the replica of the original Italian statue is Gabe Spataro. Earlier this year, at age 83, he celebrated the statue's anniversary by diving, while legally blind, no less, in Key Largo to lay wreaths on the statue.

Discovery News recently produced a short video on the Key Largo Christ of the Abyss. The video features the photographer credited above, Stephen Weir. Although Weir himself is not a Christian, he said of the statue, "For me, when I first saw Jesus, it was inspirational." Watch the Discovery News video here.


5. The Penitent Thief, 1961

If you think this photo looks like characters from Dragnet taking detectives' notes with Catholic statues, you're not far off. This photo appeared on the front page of the June 9, 1961 issue of the Denver Post with the headline: Religious Statues Prod Thief's Conscience. The brief story reads:
Denver detectives Walter Starr (left) and Arthur Moser make a list of the religious statues left, apparently by a thief, in vestibule of the parish house of Loyola Catholic Church, 2301 York St. The statues were in three suitcases, and the Rev. Ed P. Murphy left them undisturbed several days, thinking they belonged to a visiting priest. Finally he opened them, and in looking over the statues found the name of their owner, Hans Dorff, a San Francisco importer. Fr. Murphy wrote to Dorff, and Dorff notified Denver police. Seems the statues and other belongings were stolen from his car parked on a Denver street the night of May 29.

6. Smoke Signals, 1963


This gentleman is cooking up none other than smoke signals from inside the Vatican during the 1963 papal conclave at which Pope Paul VI was eventually elected. This was the first time special chemicals were added to the signal smoke. To outside onlookers, white smoke signifies a new pope has been chosen. Black smoke signifies no result. During the prior conclave in 1958, what was intended to be black smoke escaped white, confusing the audience into thinking a pope had been named, when in fact he had not.1 The confusion later led to the chemical additives of 1963. In 2005, ringing of bells were also added as part of the signal for an affirmative papal election.
1Burke-Young, Francis A. Passing the Keys. Madison Books. Maryland, Oxford. 2001. p.110

 

7. Comet Hunters, 1946


Either the two priests above were holding a pair of binoculars when they shrunk, or they are Jesuits at the Vatican Observatory. On February 2, 1946, the announcement was made of the "Timmers Comet," named for Brother Matthew Timmers above, with his associate Father Walter Miller.

The comet, visible with telescopic assistance, passed over the Americas. Subscribers of a Harvard "announcement" list received a mailing that included "Tables of position" for the comet's spring travels. Author J. Hugh Pruett for the Spokane Daily Chronicle recounted his observation:
Two of us first looked for Comet Timmers in a wonderfully clear and moonless sky on the evening of February 25. There...was in the position predicted, a fuzzy little object with a bright central nucleus and a faint indication of a nebulous tail pointing away from the sun––as do all orthodox cometary appendages. Surrounding it in the circular field of view were many little stars of various brilliancies. We were reaching into the great spaces for an interplanetary traveler far beyond the ken of unaided vision.

Thursday, September 3, 2015

7 historic photos with Catholic back stories

The Church's influence dwells in more places than may meet the eye. Following are seven historic photos, in no particular order, whose back stories contain interesting Catholic aspects.

1. The priest and the dying soldier, 1962


This dramatic photo depicts Navy chaplain Luis Padillo holding up a wounded soldier during a brief Venezuelan rebellion known as El Porteñazo. Other images from the scene (see article at Rare Historical Photos) show Fr. Padillo giving last rites to the dying on the streets. The article takes note of the kinetic danger while the priest held the soldier "as bullets chewed up the concrete around them." The photo was taken by Hector Rondón Lovera on June 4, 1962. It "won the World Press Photo of the Year and the 1963 Pulitzer Prize for Photography. The original title of work is 'Aid From The Padre'." The article also points to the frightening irony in the background:
Even more intense about this picture is the setting, in the background is a carnicería (a butcher’s shop). In Spanish a carnicería means both a “butcher’s shop” and “slaughter, carnage”. The phrase “fue una carnicería” (English equivalent: “it was carnage”) is so common in the Spanish language. The parallel really catches one’s eye and draws the horror of the scene even further.
2. The "last photo of the Titanic" afloat, 1912


This photo is considered by many to be the final photo of the Titanic still afloat. The photo was taken April 12, 1912 three days prior to the ship's infamous capsize. The Catholic interest in this photo is in its photographer, Francis Browne, a future Irish Jesuit priest who would be ordained in 1915.

The Encyclopedia Titanica recounts Browne's bio. He had begun his theological studies in 1911. In 1912, his uncle gifted him a ticket on the Titanic. His ticket was for travel from Southampton to a stop at Cherbourg to the following day's port at Queensland (now known as Cobh). Multiple accounts (e.g. Rare Historical Photos, Time Magazine) say a wealthy family had offered Browne a ticket to stay for the remainder of the Titanic's voyage. Browne sent a request to his superior cleric for permission to accept the ticket. According to Fr. Eddie O'Donnell, a Jesuit priest who collected Browne's photos many years later, Browne received a terse telegram from his Dublin superior which said: "Get off that ship." Browne disembarked and snapped the above photograph of the Titanic as it left Queenstown never to arrive at its destiny in New York. Many of Browne's photos from aboard the Titanic were also used as references for the 1997 film Titanic, as they are among precious few photos taken by a passenger who disembarked mid-voyage.

One final point of intrigue: according to the book Titanic by Messenger Publications, the wreckage of the Titanic revealed that the ship "split directly through state rooms numbered 36A and 37A, Frank Browne's quarters, and those of Thomas Andrews," the managing director of Harland and Wolff, Belfast, builders of the Titanic.

3. Tombstones holding hands, 1888


In the Dutch town of Roermond are these two tombstones, joined over a brick wall by two holding "hands." On one side of the wall is a Protestant cemetery and on the other, a Catholic one. The tradition called for an individual to be buried with the peers of his/her faith. The Telegraph summarizes the back story:
One one side of the wall lies JWC van Gorkum, a 19th century Catholic woman of nobility, on the other her husband, a Protestant. When he died, he was buried in the lot reserved for Protestants. Eight years later she passed away too, leaving directions for this monument - with the pair holding hands over the wall that divides the Catholic and Protestant cemeteries - to be built.
In a functional solution, the clever Catholic wife managed to respect the traditions of the cemeteries and be buried in a special, and most unique, proximity to her husband.

4. Andes rugby team survival, 1972


It is known as one of the most incredible survival stories in history. In 1972, a flight over the Andes Mountains in South America transported 45 people, including a rugby team. The plane crashed, killing many of them immediately. In the subsequent days, the remaining survivors battled for life in the frozen ice of the mountains. Desperate and having run out of food, the stranded had no choice but to eat the bodies of their fallen comrades. By the time the above rescue photo was taken, 72 days had passed, and 16 remained alive. The story razes at the concept of suffering and fate. Survivors told of horrors and discouragement and confusion. But at least one thing kept them united––the rosary.

Recently, an article about the survival story cited the author of a book about the incident:
As all of the team members were from a Catholic tradition, they employed ritual to keep their spirits up in the face of worsening conditions. Nightly discussions and debate followed by rosary recited in unison in the fuselage of the plane helped maintain a unity of purpose...
Survivor Álvaro Mangino recalls:
We had an enormous desire to live and faith in God. Our group was always united. We prayed the rosary. We kept our faith. I’ve changed. That’s the best thing about it.
While being treated after the rescue, a priest, Father Andres Rojas, visited the young men to comfort them, and even assured them that in such a desperate situation they had not sinned by eating the flesh of their deceased friends. The 1993 film Alive documents the incident, and includes scenes of the survivors praying the rosary.

5. Mountain procession, 1940


Anyone not familiar with the traditions behind this photo might think a caravan of mountain wizards are on their way to the ball. Or maybe it looks like a Klan rally.  Many old photo web pages file this under "creepy." But this is an example where context is crucial. This image depicts the celebration of Holy Week (Semana Santa) in Spain in 1940. The persons in the photo are walking as a sign of penance for their sins. An article at the University of South Carolina explains the significance of their outfits:
The “Nazarenos” or “Penitentes” may initially catch Americans off gaurd, as their costumes resemble those worn by the Ku Klux Klan. These costumes actually have no sinister meaning. The Spanish reasoning for wearing these costumes is completely different than that of the KKK. The cone-shaped “capirote” symbolizes a rising toward the heavens. The Penitentes are seeking forgiveness for their sins, and the shape of the capirotes signify their penance and yearning to be closer to the heavens. They hide their identities as they mourn the pain and suffering of Jesus Christ on the cross. On Easter Sunday, each person removes his capirote in jubilation of Jesus's resurrection from the dead. Nazarenos are traditionally all male, but in recent years, many young girls and women have begun to wear the costumes. No one can decipher between males and females behind the disguise. 
See the full article for other photos of the ceremony taking place in modern times under better lighting than the dim mountains depicted above!

6. Nadal: "He's a real gentleman", 2015


For this photo, we turn back the clock all the way to January 21, 2015. It was the Australian Open, the first tournament in every calendar year that makes up pro-tennis' "Grand Slam." The second round featured a match between then-world #3 Rafael Nadal, winner of 14 Grand Slam tournaments, and Tim Smyczek, then-world #112, who had to win qualifying matches to even make the tournament. The match was grueling, lasting over 4 hours. Nadal led 6-5 in the final set only 2 points from victory when an unruly fan shouted during Nadal's serve which sailed long. The stadium booed as the umpire reiterated silence and Nadal stared in the direction of the ruckus. As Nadal prepared to serve again, Smyczek, in a nonobligatory act, told the chair umpire to allow Nadal to re-do the serve. Nadal gestured in gratitude to Smyczek as the crowd cheered the generous act of kindness. Nadal would soon win the match, but Smyczek's gesture remains a special historic moment of victory. In the above photo, Smyczek (left) and Nadal share a respectful handshake after the match.

Smyzcek, a Wisconsin native, is a practicing Catholic. Recently, the National Catholic Register interviewed him about this incident and his faith life. We learn of Smyczek's regular mass and confession attendance, praying the rosary, and his upcoming marriage in November. He says:
I carry around little books like The Way and The Forge from St. Josemaría Escrivá. They are very handy while traveling, because they don’t take up much space at all. What they lack in size, they more than make up for in wisdom from St. Josemaría, who wanted people to treasure, share and live out their religious beliefs rather than hide them.
Smyczek's now-famous gesture exemplifies the fruits of his religion in action. The catechism lists among the twelve fruits of the Spirit "kindness" and "generosity" (CCC#1832).

Nadal's words in the postgame interview were fitting:
First of all, I want to congratulate Tim, because he's a real gentleman. What he did in the last game is–– not a lot of people will do something like this at 6-5 in the 5th...after four hours. So just congratulate him for that, because he played, I think, a great match.
(Watch a one-minute video of the gentlemanly gesture and Nadal's postgame interview here)

7. World Championship chess match, Spassky vs. Fischer, 1972


In our final historic photo, we return to 1972, showing the World Chess Championship between Soviet Boris Spassky (left), the defending champion, and American Bobby Fischer. Fischer would win the match to become the first American-born champion, ending a 24 year streak by Soviet players.

As references collected in the Wikipedia article recount, Fischer found himself about to enter the championship without a "second" (a sort of chess counselor between matches). He counted on his childhood friend, William Lombardy, who was also a chess Grandmaster. In 1958, when Fischer was 15, Lombardy had coached him to be the youngest Grandmaster in history. But before 1972 rolled around, Lombardy was ordained a priest in 1967. He acquired permission to go to Iceland and serve as Fischer's second for the 1972 World Chess Championship.

According to the 2011 book Endgame by Frank Brady:
Fischer lodged a formal protest [over the second-game-forfeit] less than six hours after the forfeiture. It was overruled by the match committee... Everyone knew that Fischer wouldn't accept it lightly. And he didn't. His instant reaction was to make a reservation to fly home immediately. He was dissuaded by Lombardy, but it seemed likely that he'd refuse to continue the match unless the forfeit was removed.
Fischer eventually stayed. An article from August 19, 1972 in the Lawrence-Journal World, which ran during the multi-day championship, described Fr. Lombardy's priestly presence at the event:
The Rev. William Lombardy, the Roman Catholic priest and international grandmaster from the Bronx who serves as Fischer's second, viewed the end-game maneuver with bibical (sic) awe. "He passeth the piece that passeth all understanding," the priest punned gravely. Father Lombardy's constant cool and rollicking good humor seem to have a soothing effect on the moody Brooklyn genius [Fischer]… After move 12 in Tuesday's 14th game, which also happened to be the Feast of the Assumption, Father Lombardy left the arena long enough to celebrate mass at St. Joseph's Hospital.
Several days later, Fischer won the championship, thanks, in part, to his fellow Grandmaster, his second, who also happened to be a Catholic priest.